Meet the 'Loverly' Cast of 'My Fair Lady'

Eliza is such an iconic role – what was your first reaction when you found out you’d landed the role?

I was absolutely over the moon. I called my mum straight away. This is the most prominent role I have played in my many years of amateur musical theatre, so I was just delighted that the production team trusted me with such an iconic character.

The accent work in this role is no joke -  how did you approach mastering both Eliza’s Cockney and her refined English?

Yes, getting to play effectively two completely different characters within one show does have its challenges. Aside from trying to channel my inner Eastender, I made sure to watch as many versions of the show that I could find online to try and perfect it as much as possible. In rehearsals with Kerry and Terry, we worked really hard to ensure that my cockney accent was really rough, in order to show a significant contrast to the posh English accent. I am also a die-hard Julie Andrews fan, so her beautiful voice is etched in my brain.

Do you remember the moment you first fell in love with musical theatre?

Performing has been my passion since my very first ballet class at three years old. I had a white leotard with gold stars on and a gold skirt and would wear it every single day.  I was taken to see Riverdance in Edinburgh at four years old and could not understand why the dancers did not recognise me waving at them, considering they saw me every day. I think my sister and I also knew every word to ‘Joseph and the Amazing Technicolour Dreamcoat’ thanks to Donny Osmond and Maria Friedman. So my love for musical theatre been there for as long as I can remember.

What’s been your favourite role with Portrush Music Society so far, and how does Eliza compare?

 I joined PMS last year for ‘Beauty and the Beast’, playing the flirtatious feather duster ‘Babette’ - a completely different role from Eliza. I had so much fun and was welcomed so warmly into the society. Playing Eliza has definitely been a big jump and has put my memory to the test but I have loved every minute of it.  

Is there a scene or song in My Fair Lady that hits you emotionally every time?

Aidan as Professor Higgins singing ‘I’ve grown accustomed to her face’ definitely pulls on the heart strings. It is one of the few times that Higgins shows his vulnerable side and how much he really does care for Eliza. As well as the fact that Aidan sings it so beautifully. 

What’s your favourite line or lyric that Eliza gets to say and why?

‘Come on Dover, move your bloomin’ arse!!!!” How could I not enjoy shouting that out at the top of my lungs? It’s an iconic line that I get to go all out on, and the ensembles reaction to it is hilarious.

What would you say to someone who’s never seen My Fair Lady before – why should they come?

It’s such a classic show with great songs. The script is so witty and you really will become invested in the characters and how their story ends. Everyone has worked so hard to put this fabulous show together, and audiences are really in for a treat.

If you could play any role in any musical, what would it be and why?

Can I have two? It’s too hard to choose between Eva Peron in Evita and Velma Kelly in Chicago. Both formidable women. The chance to sing such amazing songs and wear the classic Eva Peron white ball gown, singing from a balcony, would be a dream come true. A chance to attempt Velma Kelly’s choreography would also make me very happy.

Kerry Kane - Director

You've directed some incredible shows for Portrush Music Society – what excites you most about taking on My Fair Lady?

I have always wanted to direct My Fair Lady. My Fair Lady is my favourite musical, it means a lot to me as it holds amazing memories of watching it on stage, the movie and listening to the soundtrack with my late mother. I also played Eliza Doolittle at school and my daughter’s middle name is Eliza.

As a director, how do you approach bringing a classic to the stage in a way that feels fresh for modern audiences?

My Fair Lady is a classic show with a fantastic script and musical numbers that everyone will recognise. The challenge this time has been to bring it up to date and revitalise a classic for a modern audience. I have worked with the cast, studying context and themes and exploring new interpretations of the text and the characters. I am a massive fan of period dramas, including Bridgerton, which has a unique style. I have taken inspiration from the incredible sets and costumes, pace, and humour.

This level of production doesn’t happen overnight. How far in advance do you begin planning a show like My Fair Lady, and just how much time goes into bringing it all together?

We normally spend 12 months preparing for our productions, but this time, we have had a much quicker turn around and rehearsal period of 4 months which has certainly brought its challenges. But the production team know the show extremely well so we are on track for another amazing production.

What do you think audiences will walk away feeling after seeing this production?

After seeing "My Fair Lady," I hope that the audience will feel a sense of warmth, joy, and perhaps a little nostalgia. The show's classic songs and charming story may evoke a feeling of escapism and upliftment. I hope they enjoy the amazing performances, the spectacle of the sets and costumes, they also might reflect on the show's themes of social class and personal transformation. 

How do you decide which shows to take on each season, and what makes a show “right” for PMS?

A lot of time and research goes into finding the perfect show for Portrush Music Society. It is quite a complicated process, and not all musicals are available, especially if they are running currently on the West End. The musical must be financially viable and interesting for our audience to watch, enjoyable for all our cast to perform, a balance of storytelling, humour, dancing, memorable songs, and a focus on teamwork so that both main characters and ensemble have enough to do.

How would you describe your directorial style in three words?

Perfectionist, Dynamic, Encouraging

Aidan Hughes who plays Professor Higgins

Henry Higgins can be both brilliant and infuriating – what’s it like stepping into his shoes?

Playing Henry Higgins in Portrush Music Society’s "My Fair Lady" has been both thrilling and challenging. He’s a total iconic character - played most famously in the film by Rex Harrison. Higgins is brilliantly intelligent yet infuriatingly arrogant, convinced he can transform Eliza Doolittle from a flower girl to a lady through speech alone. Initially, he’s dismissive of the emotional depths around him. However, the real magic lies in the subtle transformation within Higgins himself. Eliza, with her spirited nature, unknowingly breaks down his emotional defences. By the end, Higgins reveals a vulnerability that wasn’t apparent at the beginning, showing a humbling dependence on Eliza. This complex journey of mutual transformation is both demanding and rewarding to portray, and I hope it resonates deeply with our audience.

How did you first get involved with Portrush Music Society?

I have been a member of Portrush Music Society since 2019. I joined PMS as my three nieces, Caitlin, Lauren and Aimee, had been a part of the company since Oliver! in 2016. I was so impressed by how friendly and encouraging everyone was to them and I knew this was a company I wanted to be a part of. Since joining, I haven’t looked back. This will be my sixth production with PMS. I have had the opportunity to play some great roles such as the Scottish, green, ogre, Shrek, and I was the first ever adult amateur performer to play the role of the Phantom in Phantom of the Opera. I am now the chair of the Society, and I am so proud to share the stage with such a wonderful and talented group of people.  

Have you always had a passion for musical theatre? Where did that love come from?

I've always had a deep passion for musical theatre. Ever since my school days at Dominican in Portstewart, which has always had a fantastic drama department, I’ve been captivated by the magic of the stage. Playing roles like Seymour in "Little Shop of Horrors" during school was an exhilarating experience that solidified my love for performing. Being on stage, whether in plays or musical theatre, is where I truly feel alive. There’s something indescribably thrilling about embodying a character and telling a story through music and movement. Beyond performing, I love visiting the West End to see shows; there’s really nothing like live theatre.

Do you have a favourite on-stage moment between Higgins and Eliza?

There are a lot of brilliant moments between Henry and Eliza. Lindsay Johnson who plays Eliza is simply fantastic, and it is a pleasure to share the stage with her. The scenes where he is teaching her to become a lady are incredibly funny and will have the audience in stitches. The Rain in Spain is truly an iconic scene, and when she finally gets it, there is just pure excitement and joy on the stage. My favourite moments are probably towards the end of the show where there are some quite emotional and heightened scenes between the two and you really get to see the impact they have both had on each other.

What show would you love to see Portrush Music Society tackle next?

Our next production is "Come From Away" which tells the story of how the small town of Gander, Newfoundland, warmly embraced and hosted thousands of stranded airline passengers from around the world after the 9/11 attacks when American airspace was closed. A show that I would personally love to do would be The Hunchback of Notre Dame. It is one of my favourite Disney films and I love the music and story of the show.

Tim Brown who plays Colonel Pickering

Colonel Pickering is such a gentleman – can you tell us a bit about your character?
Colonel Pickering is the perfect counterbalance to Professor Higgins. He’s courteous, considerate, and genuinely interested in people, especially Eliza. What I love about him is that he brings warmth and empathy to every scene he’s in—he treats Eliza with respect from the beginning, which really highlights the theme of dignity in the show.

How did you first become involved with Portrush Music Society?
I first became part of the society during Sister Act in 2019. It was such a brilliant production to join—the energy was incredible, and we’re so lucky to have such talented women in the group who carried that show with so much power and heart. It really set the tone for how supportive and inspiring this society is.

Which has been your favourite musical to work on and why?
My favourite so far has been Shrek. I played Donkey, which was such a fun role—full of energy, laughs, and complete chaos in the best way. I also really enjoyed working alongside Aidan Hughes, who played Shrek. We had a great dynamic on stage, and his performance brought so much heart and humour to the show—it made the whole experience unforgettable. Getting to work with him again now as Higgins, and with Lindsey as Eliza, has brought back all those good times. There’s a real sense of trust and fun between us that makes rehearsals and performances feel special.

Is there a moment in this production that really makes you smile every night?
Definitely - the comedy in the Ascot Gavotte scene always makes me smile. The contrast between the poised, elegant setting and Eliza’s outburst is just brilliant. The costumes are incredible too - they really add to the atmosphere. And the end of the scene, when Eliza shouts her bet on the horse Dover… you won’t believe your ears! It gets me every time.

Do you think there’s a message in My Fair Lady that still resonates strongly in 2025?
Definitely, at its heart, My Fair Lady is about transformation, respect, and learning to really listen to each other—which feels pretty relevant in 2025, when half our conversations are still happening over group chats and voice notes. It also reminds us not to judge someone by their accent or background - because with the right encouragement, anyone can surprise you. And if there’s one thing the Ascot scene teaches us, it’s not to take life too seriously… and that sometimes, putting a bet on the right horse might just steal the show!

Emma Thorpe who plays Mrs Pearce

Tell us about your character, Mrs Pearce, and how you are making the character your own?

Mrs Pearce is Professor Higgins’ housekeeper — she’s the calm centre of the madness, and one of the few people who stands up to him. She’s sensible, no-nonsense, and quietly sharp. I play her with a Scottish accent — a little nod to my Scottish-born Nan, who was a very no-nonsense teacher. There’s maybe a hint of Professor McGonagall in there, too — a little bit of Dame Maggie Smith energy. So she’s firm but fair, and I like to think she sees more than she lets on.

 How long have you been performing with Portrush Music Society?

Since the early 80s, on and off! So… over 40 years if you count from the very beginning. But more steadily since 2015. It’s a lovely, welcoming group — and it’s always a joy to come back.

Do you have a favourite memory from a past production?

There are so many — but the first night of Calendar Girls stands out. That mix of nerves and excitement, the audience was completely with us, and just knowing we were part of something really special. Also, sharing the stage with my kids has been a real highlight in recent years.

Why do you think audiences should be excited for this particular staging?

The music is iconic, the story is full of warmth and wit, and the cast has poured so much heart into it. It’s a beautiful production — visually and musically — and I think audiences will come away smiling.

If you weren’t playing Mrs Pearce, is there another role in the show you'd love to try?

Well, if I were younger, of course I’d love to have a go at Eliza! But honestly, I’m loving being Mrs Pearce. She may not have big solos, but she’s got presence — and a lot more influence than people realise.

Elaine MacAuley who plays Mrs Higgins

Mrs Higgins has some of the best lines. What do you love most about playing her?
Mrs Higgins is such a brilliant character to play – she’s elegant, witty and always exudes
self-control. She never loses her composure and is a perfect foil to her chaotic son Henry. I
love the way that she can put him in his place with a classic one-liner! But I also love her
humanity. She may be upper class, but she has empathy and genuine affection for Eliza. No
one is more delighted than she is when Eliza gets the better of him!

What’s your history with Portrush Music Society? When did you first join?
I first joined Portrush Music Society back in 2008 when I moved to Coleraine. Previously, I’d
been a member of Belfast Operatic and performed with musical societies since my student
days, so I had to find a new musical home when I moved to the North Coast. I’ve been part
of the PMS family ever since! Over the years, PMS has given me the opportunity to play
some fantastic roles including Dolly Levi, Deloris Van Cartier, Madame Giry and most
recently Mrs Potts!

Are there any similarities between you and Mrs Higgins?
I could never be as perceptive or quick-witted as Mrs Higgins, or possess her self-control,
But I think I share her empathy and compassion.

What do you think makes this society’s productions stand out from others?
I think that we are extremely lucky to have a hugely talented production team in Kerry, Terry
and Rosemary, who knows how to bring out the best in the cast. Kerry our director and
designer has a clear vision for the show and knows exactly how she wants to realise it.
We’re also lucky to have so much talent within our ranks. But more than that PMS is built on
friendships - we care about each other and we care about the show and I think that comes
through.

Is there a musical role you’ve always dreamed of playing?
If I was 20 years younger I’d have said Eliza Doolittle as it is such a brilliant female role – it
has it all – great character, comedy, wonderful songs and costumes! Now that I’m playing
the Mrs Higgins’s, my dream roles would be a bit older, perhaps Norma Desmond in ‘Sunset
Boulevard’ or Donna Sheridan in ‘Mamma Mia’.

What would you say makes My Fair Lady still so relevant today?
For me, its relevance is Eliza’s journey of self-discovery and personal growth. Higgins
treats her horrendously, but by the end of the show, she recognises her own self-worth and
finds her own voice as a human being and a woman, demanding dignity and respect.

David Mitchell who plays Freddy Eynsford-Hill

“On the Street Where You Live” is an iconic show-stopper – what’s it like performing that number?

I love performing this number! I feel very fortunate to get the opportunity to sing this song as I know how well known it is and has a special place in many people's hearts. It is full of emotion and happiness I hope I can bring a little bit of that on stage.

What’s been your journey with Portrush Music Society so far?

This is my second show with PMS, and I plan to continue for many years! Beauty and the Beast was amazing fun, and I will never forget the buzz of doing my first show. The society members are all so friendly and talented, which has made my experience so memorable. The amount of hard work put into fundraising and the actual production shows what a team effort it really requires, and it is very special to be part of the journey with them.

Freddy’s often seen as a bit of a lovestruck dreamer — has playing Freddy changed the way you see the character?

Yes, he is very lovestruck of course but I feel he is also a little bit stranger than I imagined when you realise the lengths he goes to and some of the lines he says! However I think this makes for a very interesting character and hopefully I can do a good job at trying for a unique take on this famous role!

What do you think makes this cast and creative team so special?

The hard work, dedication and support that people have for one another is unlike any other society I have been a part of. The committee go the extra mile to make every show run as smoothly as possible and make every member feel part of the PMS family. I couldn't have imagined enjoying it as much as I have and it's all thanks to the members!

Is there a dream role in musical theatre that’s still on your wishlist?

I would absolutely love to play Marius in Les Misérables. I think Les Mis is the most iconic musical ever made, and to have any part in it would be extremely special!

In one sentence, why should someone buy a ticket to My Fair Lady?

You will have the most ‘loverly’ time and you will ‘dance all night’ after you watch this performance, so just you wait to be amazed!

Aaron Jamieson who plays Alfred Doolittle

Alfred Doolittle is one of the show’s most memorable characters — what do you enjoy most about playing him?

I really enjoy the character's wit.  He has great dialogue with the rest of the cast, which really feels engaging. I am really enjoying his iconic songs and being able to get involved with this amazing ensemble and really have some fun with it.

He has some of the show’s catchiest numbers, like “With a Little Bit of Luck” and “Get Me to the Church on Time.” Do you have a favourite moment in the show?

I do love the big numbers; it really is so energetic and busy. I would have to say I enjoy the scene at Professor Higgins' home. I feel it's a real moment where you get a more in-depth understanding of how the character's mind works. There is also a touching moment just before "Get me to the church on time"; with Eliza, you can see Doolittle letting his guard down.

When did you first catch the theatre bug, and what’s been your most memorable role so far?

It was my wife, Steph, who gave me the push. She had been in the society for a number of years before I joined. My first show was PMS production of their second run of "Sister Act".

My favorite role to date has to be "Gaston," which was in our previous production of *Beauty and the Beast*.

Doolittle’s all about living life on his own terms. Are there any similarities between you and your character?

I share some traits. I would share his value of making the most of what you have. To never strive for money or be the richest but for enjoyment and the little things in life. I also enjoy a good laugh also. Not much of drinker in comparison though lol.

Alfred Doolittle claims to have had six wives - how would you feel about dealing with that many in real life?

I could never imagine my life without just one special lady, My wife Steph. That's all I need. Plus I always have 6 things going on in my mind at once I struggle enough with that as it is lol.

If you could play any other character/role what would it be?

It's so hard to choose, as it always changes with so many musicals to choose from. I would have to say Javert from Les Misérables, Frollo from The Hunchback of Notre Dame, the Phantom from The Phantom of the Opera, or P.T. Barnum from The Greatest Showman to name a few.